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French post-structuralist feminism
French post-structuralist feminism takes post-structuralism and combines it with feminist views and looks to see if a literary work has successfully used the process of mimesis on the image of the female. If successful, then a new image of a woman has been created by a woman for a woman, therefore it is not a biased opinion created by men. Along with Luce Irigaray and Julia Kristeva, Hélène Cixous is considered one of the mothers of poststructuralist feminist theory. Since the 1990s, these three together with Bracha Ettinger have considerably influenced French feminism and feminist psychoanalysis.
==''L’Écriture féminine''==
''Écriture féminine'' literally means ''women's writing.'' It is a philosophy that promotes women's experiences and feelings to the point that it strengthens the work. It is a strain of feminist literary theory that originated in France in the 1970s.
Hélène Cixous first uses this term in her essay, ''The Laugh of the Medusa'' in which she asserts:
''Woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies. Écriture féminine places experience before language, and privileges the anti-linear, cyclical writing so often frowned upon by patriarchal society.''
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